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Showing posts with label winemaking. Show all posts
Showing posts with label winemaking. Show all posts

Monday, 18 May 2015

Everything Is Go Astro Bunny

Everything is Go Astro Bunny
The last story in the series on wine labels; we look at a light-hearted but serious project by British Master of Wine Tim Wildmann. 


Project:  Fly to Australia, make a wine on a budget, with a deadline, get on a plane back to England - GO!


Astro Bunny is a project to produce as Tim puts it;
" A wine that has had its primary fermentation interrupted by bottling thereby rendering it naturally (naturel) sparking (pétillant) in the bottle".
Definition: Pétillant Naturel. (origin Fr.) abbrv. pet nat.





So have fun and dissect this 4 part story of wine made naturel:


Harvest Time in Australia

The easy step? - Winemaking

What's In A Name

Sell, Sell Sell!



Tim Wildman's Bio from webpage:

Tim Wildman is a British born MW who runs his own portfolio wine business involving travel, education and film.Tim became a Master of Wine in 2008 with a Dissertation on Australian wine, which is his professional speciality. You can read Tim’s Dissertation here 

He was awarded the Robert Mondavi Memorial prize for the highest score in Theory and his Dissertation achieved the highest pass mark in his year.With a background in teaching as well as wine Tim has helped dozens of MW students over the years to achieve their goals through his private tuition classes.
Tim has two travel companies specialising in wine tourism. James Busby Travel is a B2B company that takes wine trade professionals from around the world on educational tours to Australia.
Vineyard Safaris offers premium one day wine tours for private individuals and small groups in Australia
Tim is one half of film company Green-Shoot that provides wineries and wine companies with video content and integrated digital media solutions
He writes a monthly column for Australia’s Wine Business Magazine and prefers analogue to digital, in both music and wine. He divides his time between Europe and Australia



Don't Label Me


I would never buy a wine based on the label. My superior wine palate and knowledge means I don't need to resort to such trickery as a front label.

 Wood Crampton "The Big Show"


Wrong!

I'm a sucker for a wine label as much as any punter who goes into a bottle shop.


Exhibit A = Woods Crampton "The Big Show".








And fortunately for me, I'm not the only one who is susceptible to lures of wine marketers and their wily ways.



This Instagram post from Master of Wine Peter Scudamore-Smith, is acutely aware of the need for engaging labels.







 Professor Frank Lockhin



For those interested in the psychology of wine labels and the ability of wine marketers to guide a customer in their purchasing behaviors. you can't go past this excellent article by News' Tony Love.

The story draws on insights from Professor Frank Lockshin from the University of Adelaide. Lockshin, a wine marketing expert and points out that on average a consumer takes 40 seconds to make a purchasing decision.


No pressure to get that label right.




Monday, 23 February 2015

Difficult Teenagers That Grow Up To Be Lovely Adults


Like most agricultural pursuits, wine is totally at the mercy of the environment; be that the rain, the amount of sun or even the soil type. Despite the variation of environmental conditions it is always remarkable that there are still some flavours that remain consistent from a defined piece of land. There is a French agricultural term called 'terroir', (pronounced Tair-wah) that is now commonly used to describe this characteristic.

One of the most famous and noble French regions, Burgundy, is a text book example of the understanding of terrior. This is primarily because of the uninterrupted production of high quality grapes over at least a millennium. The behavior of individual vineyard style is well understood. As a basic rule, Pinot styles in the north around Dijon are robust, earthy styles, and approaching the southern town of Beaune, Pinot will soften to a more delicate fruited style, showing characters of strawberry and ripe cherry.

On the surface, Pinot would appear to be highly at the mercy of its location and of course that is true but when you consider Shiraz in the Australian example, the same is the case. Grown in such disparate locations as Margaret River, Barossa Valley, Hunter Valley and even the cold climes of  northern Tasmania, Shiraz presents itself in many different guises.

Commercial realities dictate that popular wine styles should maintain a high degree of uniformity from one season to the next; after all, loyalty is built out of consistency. Preferably good consistency. This can be considered relevant for products to meet a mass-market or non-wine geek segment because explaining the variation does require a significant engagement from the consumer.

So where does the title for this article come in? Despite all of the pessimism of wet and challenging vintages that can be faced by grape producers, there is the opportunity to recover perfectly acceptable commercial wines. Looking at the Tower Estate case which I see everyday, I can share some of the pain of producing wine that initially may appear like an awkward gangling teenager and how it will develop into a really lovely adult.

Panorama Vineyard in Tasmania
Tower Estate has, for several years, been sourcing Pinot Noir from the Panorama Vineyard in the Huon Valley. Near the village of Cradoc, The Panorama Vineyard, owned by Michael Vishacki is a southern Tasmanian treasure. You can see the location of the vineyard in more detail if you click on the Google map. 

A cool climate location, Cradoc is at the limits of producing viable fruit for wine production in the southern hemisphere. Early ripening red varieties like Shiraz have no chance of ripening in time before wineter arrives, leaving only Pinot Noir and Chardonnay to consistently produce the best quality fruit.

In the Tower Estate example, the 2009 vintage Panorama Vineyard Pinot Noir won a trophy at the Hobart Royal Show. The 2010 Panorama Vineyard Pinot Noir was highly acclaimed, with the famous Australian wine writer James Halliday giving the wine a rating of 96 points; his highest rated Pinot Noir of that year. 

The old addage that a wine is made in the vineyard is a relavent one, so looking at weather conditions that year should give us an indication of how such high quality fruit was produced. The table below is from the Bureau of Meteorology, and compares a 30 year average with the 2010 rainfall figure; the nearest BOM station to the Panaroma Vineyard is the town of Geeveston.  The most notable feature is that during the growing period between January and April when rainfall was generally below the average but sufficient for good grape production. 




















The table below by contrast shows the 2011 vintage which reflected difficult growing conditions, with above average rainfall across many wine growing regions in southern Australia and in this specific example, the Huon Valley in Tasmania, where Tower Estate was going to buy top quality, very expensive Pinot Noir grapes.






Notice the spike in rain in April? April is such an important time in picking grapes. You do not want rain just at the time you are trying to ripen the grapes and concentrate flavours. But the 2011 vintage brought almost double the average rainfall, with over 100 mm of rain for the the month.  With these adverse circumstances we have all the ingredients for "A Difficult Teenager" wine in the making. This is the time that the skill of the vineyard owner comes into play; minimising the risk of disease and the total loss of a crop. But it is also the time for the winemaker to work hard and make gentle touches with the processing of grapes in the winery.












Note: This article was originally written in 2013 when I worked in direct marketing at Tower Estate in the Hunter Valley. 

Thursday, 30 January 2014

Underrated Get A Leg Up

Most wine buffs have a region that they adore; but feel the wine styles or region itself don't receive the recognition it deserves. For me...? Queensland's Granite Belt.

A district that has been producing wine for over 40 years and yet often suffers from old growing pains undeservedly. In my opinion, more a reflection of the state of public perception rather than reality.

This week, James Halliday's 'The Wine Companion', features the Granite Belt. Check out the article here

I hope you find a producer that will be your new favourite.

Thursday, 13 June 2013

State Of Origin - NSW Wine Vintage


With vintage well and truly done, it is time for a bit of review from Andrew Thomas at Thomas Wines via Gourmet Traveler Wine.

For the full article check it out here.



Mike Bennie takes us on a tour of NSW’s wine regions, talking to winemakers about the 2013 red vintage. 


Andrew Thomas, Winemaker, Thomas Wines, Hunter Valley
"Well, despite some challenging conditions with all that nasty weather up north, we've actually come through relatively unscathed," says the affable Andrew Thomas of Thomas Wines. "It seems much of New South Wales didn't get smashed by rain and talking to winemakers around the area, everyone is extremely happy with the quality of the reds this year," he qualifies. This comes off the back of the red wine disaster in the Hunter Valley in 2012, where summer seemed to pass unnoticed, quashed by incessant rain.

Thomas, affectionately known as Thommo by most in the wine community, says that red wines from 2013 offer respite. "This year it's so good to have high quality reds in the house - I am pretty impressed. I talked to people in the supermarket or pub, winemakers like Jim Chatto, Mike De Iuliis and PJ Charteris, and everyone is punching the air and saying it's all looking great."

So why the turn around in 2013 for red wines of New South Wales? "Well, a lot of it comes down to vineyard management, pedigree of vineyard, vineyards we hear about that might have that something special to get them over the line," explains Thomas. "It also comes down to crop levels, anything that was too big a crop struggled to get ripe. We go through and thin down anything that looks on the higher side."...

The Hunter, of course, still holds Thomas' biggest interest for red wines. "The contemporary style of Hunter Valley shiraz is more fruit driven with aromatic vibrancy and it's elegant, medium bodied and savoury," he says. "Across a lot of New South Wales we've seen producers following this lead with unforced wines which are ticking the authentic-to-region box, which is something often overlooked." Thomas cites Clonakilla, particularly Tim Kirk's work with shiraz, as iconic wine of New South Wales. He also elevates Canberra District producers Ravensworth, Nick O'Leary and Alex McKay as "doing great stuff with red grapes". He earmarks Winburndale, Chalkers Crossing, and Lowe from Mudgee as heirs apparent.